I was playing a church gig years ago with a bass player I’d played with a bunch. He was one of those guys who was a lot of fun to play with, and he had a keen interest in my personal growth on the drums, skill-wise and career-wise. That day he happened to mention a drummer friend of his he’d like me to meet…

Now this drummer-friend wasn’t just any drummer. He was a monster-player who was currently touring with a major act, and who had toured with several nationally-renowned bands in the past few years. He had played on several records I listened to a bunch in high school, so I felt like I already knew him. The realization that I could meet him had the introvert inside of me very nervous. But of course, I couldn’t resist.

I was able to get in touch with this drummer, and we set up a time to just hang out and chat. It’s amazing the power of a mutual friend!

As we conversed and got to know each other, I got the feeling that this guy already...

I received this question recently, and I thought it would make for a good “email lesson.” However, you can let me know if you still have questions about anything, and I might make a video going deeper.

Miking the Kick

On just about every gig I play where I bring my full kit, I’m miking my kick drum. Unless I’m in a very small, intimate setting, I always want some extra low end beef from the kick.

I can think of one specific example where I didn’t mic the kick, and that was at a private dinner party event in a small space. We were playing lightly while folks had conversation over dinner, so it was important we stayed very much in the background. I think this is the only scenario where you don’t want that extra low end. Otherwise some extra “foundation” to the sound is nice.

I like to be super simple and place a Shure Beta 52 inside my kick, laying on a towel. This may have started because I was lazy, or maybe it was just years ago when...